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The Rivers Trust - who we are

Image © Paul Colley

BSoUP member Paul Colley is an ambassador for the Rivers Trust, an organisation deeply engaged in river conservation.  The Rivers Trust is always looking for high quality river images to support its conservation messages.  Check out the Trust’s web site and see just how much work they do and the depth of traction that it has achieved in its vital work.

The Rivers Trust - Store

Inspiration: UPY 2024 winners

Image © Alex Dawson

We all need inspiration now and again.  Check out the UPY 2024 winners to see some truly inspirational work from underwater photographers around the world.

Time and Tide

Time and Tides - a short film by Georgie Bull

Georgie Bull discusses a fascinating connection between marine life in the ocean today and its deeper history.  Both are visible on Charmouth beach in Dorset.  You can see fossils in the same space as current day marine life.  See Georgie's short film at this link.

Winners announced for UPY 2021

Many people had their ability to create new underwater imagery constrained by the pandemic.  So the entries and winning images for this year's Underwater Photographer of the Year competition were amazing.  There are some truly inspirational images.  You can see them on the UPY web site.  Overall winner Renee Capozzola's image of sharks swimming below gulls seen through Snell's window has been widely published around the world.

Underwater Photographer Code of Conduct

Image © Pedro Vieyra

Most underwater photographers are concerned to protect the environment in which they take their pictures and to avoid stressing marine creatures when they are taking their images. This is good for the marine environment and leads to better photographs.

This Code sets out good practices for anyone who aspires to take pictures or video underwater, but many aspects are applicable to general diving.

No-one should attempt to take pictures underwater until they are a competent diver. Novices thrashing about with their hands and fins while conscious only of the image in their viewfinder can do untold damage.

Every diver, including photographers, should ensure that gauges, octopus regulators, torches and other equipment are secured so they do not trail over reefs or cause other damage.

Underwater photographers should possess superior precision buoyancy control skills to avoid damaging the fragile marine environment and its creatures. Even experienced divers and those modelling for photographers should ensure that careless or excessively vigorous fin strokes and arm movements do not damage coral or smother it in clouds of sand. A finger placed carefully on a bare patch of rock can do much to replace other, more damaging movement.

Photographers should carefully explore the area in which they are diving and find subjects that are accessible without damage to them or other organisms.

Care should be taken to avoid stressing a subject. Some fish are clearly unhappy when a camera
invades their “personal space” or when pictures are taken using flash or lights. Others are unconcerned. They make the best subjects.

Divers and photographers should never kill marine life to attract other types to them or to create a photographic opportunity, such as feeding sea urchins to wrasse. Creatures should never be handled or irritated to create a reaction and sedentary ones should never be placed on an alien background, which may result in them being killed.

Queuing to photograph a rare subject, such as a seahorse, should be avoided because of the harm
repeated bursts of bright light may do to their eyesight. For the same reason, the number of shots of an individual subject should be kept to the minimum.

Clown fish and other territorial animals are popular subjects but some become highly stressed when a photographer moves in to take a picture. If a subject exhibits abnormal behaviour move on to find another.

Night diving requires exceptional care because it is much more difficult to be aware of your surroundings. Strong torch beams or lights can dazzle fish and cause them to harm themselves by blundering into surrounding coral or rocks. Others are confused and disturbed if torch beams or lights are pointed directly at them. Be prepared to keep bright lights off subjects that exhibit stressed behaviour, using only the edge of the beam to minimise disturbance.

Care should be taken when photographing in caves, caverns or even inside wrecks because exhaust bubbles can become trapped under overhangs killing marine life. Even small pockets of trapped air which allow divers to talk to each other inside them can be lethal for marine life.

The image in the viewfinder can be very compelling. Photographers should remain conscious of their position and of the marine life around them at all times. In sensitive areas, they should avoid moving around on the bottom with their mask pressed up against the camera viewfinder.

Areas of extensive damage or pollution should be reported to the appropriate authorities. Today, when so many more divers are taking up underwater photography, both still and video, it is
essential that the preservation of the fragile marine environment and its creatures is paramount and that this Code of Good Practice is carefully observed.

This Code of Conduct was introduced by the Marine Conservation Society with funding from PADI’s Project AWARE project. It is endorsed by the British Society of Underwater Photographers, the Bristol Underwater Photography Group as well as being supported by the Sub-Aqua Association, the British Sub-Aqua Club and the Scottish Sub-Aqua Club.

Blue Marine Foundation - who we are

Image © Paul Colley

BSoUP member Paul Colley works with national and international agencies engaged in marine and freshwater conservation.  One group he teamed up with was the Blue Marine Foundation, providing images that supported a case for a marine protected area in the South Atlantic.  Blue Marine were hugely successful and it is now the biggest marine protected area in the Atlantic ocean.  But BLUE works in the UK too, promoting sustainable fishing practices.  Check out this 60 second video introduction to one of the UK’s most energetic and successful marine conservation organisations.

Blue Marine Foundation who we are
Link to a Blue Marine foundation short video about conservation

In Focus 119 contents

Latest magazine

Image © Alex Double

BSoUP produces its own in-house magazine, In Focus.  The magazine is filled with articles about underwater photography and images from the latest monthly competitions.

BSoUP members have access to the latest copies.  The magazine archive is open to the wider public.

World class speakers

image © Kirsty Andrews

BSoUP invites highly-accomplished photographers from around the world to talk at our meetings.  They present about destinations they have dived plus the equipment and techniques that they use to produce their stunning images.  Check out our forthcoming programme to see who’s speaking and about what subjects.

Inspiration: Laura Storm

Image © Laura Storm

We all need inspiration now and again.  BSoUP members can listen in to all of our monthly talks by accomplished underwater photographers from around the world.  Members can also access recordings of past talks through our video archive.  Sometimes individual images can inspire us to try new techniques.  BSoUP member Laura Storm embarked on an impressive journey close to home by taking a fresh look at art in underwater photography within UK freshwater habitats.  Laura has a keen eye for abstract detail and has produced some inspirational work.  Click on the thumbnail image below to read more…